The English Beat & Easy Star All-Stars – With Special Guests: The Skints & Underwater Sounds

Thursday, April 30th 2015

ARTIST BIO

One tempestuous weekend in March 1979 was not only the date of the Three Mile Island nuclear incident, but also, in Birmingham, England, the very first show by a nascent band known as The Beat. Introduced as “the hottest thing since the Pennsylvania meltdown”, the band had a sense that the next few years could well be explosive! The Beat hailed from working class, industrial Birmingham, England. When The Beat rushed on to the music scene in 1979, it was a time of social, political and musical upheaval. Into this storm came The Beat, trying to calm the waters with their simple message of love and unity set to a great dance beat.

The Beat were all about inclusion, rather than exclusion, and this showed in their personnel and their music influences. The original band consisted of Dave Wakeling on vocals and guitar, Andy Cox on guitar, David Steele on bass, and Everett Morton on drums – later additions Ranking Roger (toasting) and foundational First Wave Ska legend Saxa (saxophone) completed the outfit. The band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces they created an infectious dance rhythm. Along with their contemporaries The SpecialsThe Selecter, and Madness, the band became an overnight sensation and one of the most popular and influential bands of the British Two Tone Ska movement.

By Christmas of 1979, The Beat were riding high in the UK charts with their first single, a smoking remake of the classic Smokey Robinson tune Tears of a Clown. Over the course of the next five yearsThe Beat toured relentlessly and released three studio albums: I Just Can’t Stop ItWh’appen, andSpecial Beat Service. The band toured the world, touring with such artists as David BowieThe Police,REMThe ClashThe Talking HeadsThe Pretenders, and The Specials, to name but a few. The Beatkept scoring hits with tunes that have now become so popular that it’s hard to remember a time when they didn’t exist, such as Mirror in the BathroomSave it for LaterI ConfessStand Down Margaret, and their serene cover of the Andy William penned Can’t Get Used To Losing You.

Despite their huge success, The Beat continued singing about and acting on the problems we all face. They donated all the profits from their highly successful single version of Stand Down Margaret to theCommittee for Nuclear Disarmament. They donated their music to causes including the anti-nuclear benefit album Life in The European TheatreThe World of Music and Dance album focusing on indigenous people’s art, and lent their voices to The Special AKA’s anthemic freedom cry Free Nelson Mandela, to name but a few.

Dave Wakeling once told me that every great band only has three really good albums. And true to form, The Beat decided to call it quits after their third album, Special Beat Service. Of course, that was not the last we would hear from the Beat boys.

After The Beat, Dave Wakeling formed General Public with his mate Roger. The band took off quickly, scoring numerous hits off the their three studio albums, including TendernessSo Hot You’re Cool,Never You Done That, Come Again, Too Much or Nothing, and I’ll Take You There. Dave’s good looks and soulful crooning combined brilliantly with Roger’s gravelly toasting, high intensity showmanship and upful beat, and GP took the critics and fans by storm. While Dave was penning hits Stateside, Andy Cox and David Steele were putting their own band together. Andy and David placed an ad for a singer on MTv, and received an extraordinary gift, in the form of one Roland Gift. With Roland onboard, the Fine Young Cannibals was formed and right from the release of their first single Johnny Come Home, the band was a hit. Their two studio albums scored multiple hit singles, with tunes such as She Drives Me Crazy and Good Thing becoming instant classics. Not being slackers either, Saxa and Everett Morton put together their own band, International Beat, blending modern pop with traditional Jamaican rhythms to form a wonderful hybrid sound. International Beat toured around the world and released two live albums, including cameos from Dave and Roger.

Combined, all these bands scored multi-platinum record sales, sold out shows all over the world, and, most importantly, universal fan approval because they kept The Beat alive!

That ember was nursed back into a roaring flame in February 2003, when a dream came true for many Beat fans as the band reunited for a UK tour, culminating in a sold out command performance at the prestigious Royal Festival Hall! It was a wonderful night for the band and their fans.

Consummate showman that he is, Dave Wakeling has continued to keep The Beat alive and strong. How could he not? Dave continues to tour the world as The English Beat with an amazing all-star ska backing band playing all the hits of The BeatGeneral Public, and his new songs.

You just can’t stop The Beat!


 

 

Blending musical versatility, instrumental prowess, beautiful vocal harmonies and a premier rhythm section, the Easy Star All-Stars have established themselves as one of the top international reggae acts on the scene today. Thanks to their best-selling tribute album releases, Dub Side of the Moon (2003), Radiodread (2006), and Easy Star’s Lonely Hearts Dub Band (2009), the remix album Dubber Side of the Moon (2010), as well as original releases Until That Day EP (2008) andFirst Light (2011), the Easy Star All-Stars have built a growing, dedicated fan base throughout the world, bringing together fans of reggae, classic rock, dub and indie rock into one big family.

The band has toured in over 30 countries on 6 continents, averaging over 100 shows per year for the past 5 years. They’ve played most of the major festivals throughout the world, including an unprecedented three-day, three-stage stand at Glastonbury in 2009, which earned them a UK Festy Award Nomination that year.

In 2013, the band has been celebrating the 10th anniversary of the release ofDub Side of the Moon with full plays of the album at many of their shows. In November, the band will play four shows that will include brand new visuals during Dub Side of the Moon, along with special guest dubbing of the live set by Toronto-based, Juno-Award Winning producer, Dubmatix.


Soul Asylum blew the roof off the joint. The band was tight and Dave Pirner is better than ever. I've been a fan for years but this was my first show. They lived up to my expectations and more.
Woody92 from Ticketmaster
Omg ! It was the best concert ever ! Made me feel like I was a teenager again ! Soul asylum is so amazing ! Dave was just Woooooowwwwww ! I had a Crush on him when I was 15 years now I'm 38 and he looks just the same ! To heard them made me cry a lot ! It was like saying Goodbye to my teenage years ! All my life I dreamed with that moment with that concert to be there in front of them ! And now I was 23 years later ! ❤️❤️❤️
Goskitini from Ticketmaster
Flashback to my teenage years! Soul Asylum sounded great! Hasn't lost his voice!
Michael805 from Ticketmaster

englishbeat.net
easystar.com