At first glance, this story might seem more suited to Brooklyn, Compton, or even Dublin than Copenhagen, Denmark. There’s a community in the center of Copenhagen called Christiania. In this 30-block radius, there are no cars, streetlights, or police. A personal toilet and running water were considered luxuries in the early nineties. Dogs roam the cobblestone streets without leashes, and plumes of smoke billow out of the windows. However, people are happy, and they help each other out.
Lukas Graham calls Christiania home. It’s why he makes the music he does. It’s why he is who he is.
“We were those kids who were always dirtier than the other kids because our scope away from home was so huge,” he explains. “We weren’t poor. We just didn’t have enough. When you grow up like that, you end up showing more than you need to. I do that in my music. Instead of making up a pretty little love story about some girl I like, I end up singing about my boys in jail and how I feel. It’s easier for me to be honest about who I am than to start making up some fairytale.”
Mom worked nightshifts cleaning, while dad repaired and refurbished antique stoves and ovens. In a tiny house where he was “encouraged but not pushed to perform,” Lukas fondly recalls a family tradition that shaped his ear.
“One of the big things was the musical kitchen and dining room,” he says. “When you were cooking, cleaning, or washing the dishes, you could choose your favorite album and play it almost as loudly as you wanted to. We had everything from The Beatles and Rolling Stones to Gregory Isaacs, James Brown, Al Green, and The Prodigy.”
At eight-years-old, Lukas joined the Copenhagen Boys’ Choir and developed not only an appreciation for classical music but a finely trained voice. He honed that instrument touring the States and Europe in the years to follow. In between, he became fascinated with his father’s Irish roots and the country’s folk music. Coupled with hip-hop—as he admits, “Dr. Dre’s 2001 changed my life”—he began to architect a singular style that transcended international barriers and cultural boundaries.
“Folk music and classical mixed with soul, rock ‘n’ roll, and rap would be my main base of operations,” he says. “What I can do is make you laugh, dance, and cry within 60 minutes of a show, if you let me. It’s a mix of poorer musical styles. We get down and dirty, and we talk about all the little things.”
After spending six months in Buenos Aires to clear his head and get away from the darker side of his hometown, Lukas brought that sound back to Christiania in 2010 where he joined forces with his writing team Future Animals [Stefan Forrest & Morten Ristorp]. Writing lyrics first and telling stories, the style felt alive. It defined his 2012 self-titled first full-length album, which would go quadruple-platinum in Denmark and yield three smashes—“Drunk In The Morning” and “Better Than Yourself” would go #1 and “Ordinary Things” peaked at #2. All in all, cumulative single sales in Denmark would surpass 150,000 with nearly 40 million collective streams.
That success translated to the rest of Europe. In Germany, “Drunk In The Morning” became a staple and the record reached #1 on iTunes. “Happy Home” would give him his third number one in Denmark in 2014 and went multi-platinum in Norway and Sweden. Also known for a phenomenal live show, he’d go on to play countless sold out shows and earn festival main stage spots alongside his “boys” in the band, Mark “Lovestick” Falgren, Magnús “Magnúm” Larsson, and Kasper Daugaard, becoming the most popular live act in Denmark. Christiania is always on his mind though.
“I made it out,” he sighs. “I did something with my life. When my father passed, instead of just mourning, I built my mom a house. I got myself an apartment a block from Christiania. All of the same plumbers, carpenters, and gangsters meet me at that local bar. I’m not going to a fancy club and buying champagne.”
Sighing, Lukas interjects, “That’s not to say I haven’t done that, because I have. I maxed out my credit cards, and I was stupid with the money that followed the fame. I was lucky to quickly realize that wasn’t the goal.”
He has no problem being candid and admitting mistakes. That kind of honesty and heart attracted the attention of Warner Bros. Records who signed him after a 2013 Los Angeles showcase. His 2015 follow-up Lukas Graham (Blue Album) captures the spirit that turned everyone into believers in the first place, and it also serves as his proper introduction stateside.
The first single “Mama Said” begins with a children’s choir and bright production. As the verse kicks in, Lukas weaves together a confessional narrative that culminates on a striking and soulful refrain.
“One time, the kids in school made fun of me because I was wearing the wrong jeans,” he recalls. “I bought them with my own money, and I was so proud. My mom said, ‘Don’t listen to those rich kids. We’ve got a bed and food. Imagine how many children don’t have that.’ My dad told me, ‘You’re going to be laughing at them one day, but don’t point back. Don’t get even or mad. Keep walking and smiling.’ I never want to lose sight of my roots. I know where I’m from. I’m also not going to forget where the fuck I’m going.”
Album opener “7 Years” begins with his emotional delivery and a soft piano line. He looks back over his life and what’s ahead.
“I couldn’t go any further than 60 because my father died at 61,” he admits. “I need to pass it to believe it. It’s a song about growing older. I’m also coming to a realization that being a father is the most important thing. My biggest dream is not to be some negative old dude, but to have my kids’ friends say, ‘You’re going to visit your dad? Say hi! He’s fucking awesome.’ I had a perfect father. When he died, all of my friends were like, ‘It’s hard for me to feel bad for you, because I just lost one of my best friends.”
Dad would be proud, because his son’s story has the power to change lives. “I want people to walk away becoming music lovers,” Lukas leaves off. “A lot of artists want the riches and the fame. I want to tell stories you can put into the context of your life.”
Every dream requires a hustle. Long before she became an inescapable pop presence and one of the industry’s most in-demand songwriters, Bebe Rexha began quietly hustling hard towards a career in music during her childhood in Brooklyn, NY.
“I never wanted to take the easy way, and I was always willing to hustle,” she declares. “I started grinding and writing songs back in high school. I was the girl that didn’t go to prom or my graduation, because I was too busy working with producers and making music. I’d feel at home singing over hip-hop beats and rolling with the boys. It’s where I still have the most fun, and it’s where my personality comes through.”
Following years of dedication and diligence, that grind paid off big time in 2013 after she penned “The Monster” in a Harlem studio. The single eventually became a worldwide hit for Eminem and Rihanna—going RIAA quadruple-platinum stateside. Bebe would write and feature on Cash Cash’s “Take Me Home,” an idea she envisioned back in her bedroom in New York. Relocating to Los Angeles, she’d go on to co-write and sing on Pitbull’s “This Is Not A Drill” in addition to writing Tinashe’s “All Hands On Deck.” Her 2015 debut EP, I Don’t Wanna Grow Up [Warner Bros. Records], boasted the singles “I Can’t Stop Drinking About You” and “I’m Gonna Show You Crazy,” which racked up over 52 million Spotify streams in only six months. That same year, she co-wrote and carried instantly recognizable hooks for the double-platinum “Hey Mama” by David Guetta, Nicki Minaj, and Afrojack as well as G-Eazy’s 2016 Billboard Hot 100 platinum smash “Me, Myself, & I.”
To date, she’s accumulated over 10 million overall single sales, 800 million Spotify streams, 1 billion combined YouTube/VEVO views, and reached a radio audience of 7 billion in addition to earning praise from the likes of USA Today, Billboard, MTV and more. On the road, she has toured supporting Nick Jonas and scorched the stage of the 2015 Vans Warped Tour, emerging as one of its biggest breakout acts.
However, everything set the stage for her 2016 single “No Broken Hearts” [featuring Nicki Minaj]. The unshakable and undeniable anthem introduces her forthcoming full-length album with a bang. Produced by Grammy Award®-nominated production team The Invisible Men, the track sees her robust, raw, and real voice take the spotlight. Over a slick, smooth, and sultry bounce, Bebe delivers a massive refrain freestyled in the vocal booth and punctuated by a fiery verse from Minaj.
“I had been heartbroken three times that week,” she admits. “I went to the studio, and I was crying my eyes out. As soon as I walked to the mic, it came to me. We captured the first take right when I heard the song. There’s nothing mathematical to my writing. It’s feeling. I turned sadness into an anthem for not letting anything or anyone slow you down. Everybody goes through some sort of pain. It’s good for people to hear that. Nicki was perfect, because she’s a New York chick who identifies with this. Life’s too short, so let’s enjoy it.”
That spirit courses through her inimitable and irresistible sound. Merging booming production, cinematic storytelling, and a powerhouse voice, she nods to influences as diverse as Michael Jackson, Lauryn Hill, Tracy Chapman, The Cranberries, and Kanye West. Drawing on her Albanian heritage and youth in New York City, she stirs up a musical melting pot of her own.
“I feel like I’m just starting to show who I am,” she continues. “I’m going even further though. I’m embracing my roots and the artists I love. At the same time, I want to tell stories. The new music is more about empowerment. You work on yourself, and you focus on your happiness. That’s the message. I’m saying what I want to say. Life isn’t easy. We’re all going through something. I hope people know they’re not alone when they hear my songs.”